Hoax Museum Blog: Urban Legends

Questions and answers on Creationism, which should be discussed in schools as an alternative to the theory of evolution:

Q. When was the earth created?
A. Archbishop James Usher, working out a chronology from the Bible, calculated in 1654 that the earth was created on the night of October 23, 4004 B.C. Other timetables reach back as far as 10,000 years.

In 1796 Benjamin West, the American-born President of the Royal Academy of Arts in London, fell victim to a remarkable fraud. A shadowy figure, Thomas Provis, and his artist daughter, Ann Jemima Provis, persuaded West that they possessed a copy of an old manuscript purporting to contain descriptions of materials and techniques used by the Venetian painters of the High Renaissance, including Titian, to achieve the famously luminous effects of color that had long been thought lost, forgotten, or shrouded in secrecy. West experimented with these materials and techniques and used them to execute a history painting entitled Cicero Discovering the Tomb of Archimedes (1796–97). In truth the manuscript was fake and the story an absurd invention. West had believed it, and, through him, the Provises managed to dupe a number of other key artist-Academicians.

When the fraud was finally exposed, the embarrassment was far worse for West than it was for the other victims. It was largely through his influential position as President of the Royal Academy that the perpetrators gained access to so many of his variously hapless, dim-witted, or simply greedy colleagues. Years later, having been mercilessly held up to ridicule by satirists (in song; in the press; and in a remarkable satirical engraving titled Titianus Redivivus by James Gillray, 1797,Benjamin West - Cicero Discovering the Tomb of Archimedes, 1796–97, Oil on canvas - Collection of Mr. & Mrs. Michael D. Eisner. West painted an almost identical version of Cicero Discovering the Tomb of Archimedes (1804), this time according to his own methods and traditional studio practices. This “atonement” painting is today in the collection of the Yale University Art Gallery.

“Nessie will breathe golden pearls for all the children from the earth, this endangered innocence that badly needs air.
“A boat equipped with a sound system will air the great organs of Notre Dame de Paris on the waves of the loch and the oratorios by Mozart, Handel and Johann Sebastian Bach will resound, together with the Hors Humain’s chants and kettledrums.”

Information provided by an agent for the artist's estate states that Psaier was born in Italy in 1936 and died in the 2004 tsunami in Sri Lanka. He left Italy as a young man and went to America, where he met Warhol while working as a waiter in a café. His life then appears to have evolved into a nomadic, drug-fueled odyssey that took him between California, Mexico, Madrid, India and Sri Lanka, working in a variety of styles from conventional portraiture and illustration to pop art and assemblage.

in general, it is hard to tell fake fundamentalism from the real thing, since they both sound equally ridiculous. The law also works in reverse: real fundamentalism can also be indistinguishable from parody fundamentalism.

So God put Adam to sleep and ripped out one of his ribs and behold, we find out that women originate from bones! So men come from dirt and women come from bone. Now that's real science in action and if you disagree you are going to Hell!

"The 23,000 figure was substantiated on the ground," McCain spokesman Tucker Bounds said. "The campaign is willing to stand by the fact that it was our biggest crowd to date."

"On the web the thinking of cults can spread very rapidly and suddenly a cult which was 12 people who had some deep personal issues suddenly find a formula which is very believable," he said. "A sort of conspiracy theory of sorts and which you can imagine spreading to thousands of people and being deeply damaging."

Sir Tim and colleagues at the World Wide Web consortium had looked at simple ways of branding websites - but concluded that a whole variety of different mechanisms was needed.

"I'm not a fan of giving a website a simple number like an IQ rating because like people they can vary in all kinds of different ways," he said. "So I'd be interested in different organisations labelling websites in different ways".

Members of New York Radical Women, upset by the Miss America Pageant's focus on women's physique and seeing an opportunity to publicize their cause, traveled to Atlantic City by bus. They wanted to burn things, as was in vogue then (people mad about other topics - such as the war in Vietnam - burned draft cards and flags), but city officials worried about the safety of the wooden Boardwalk asked the organizers not to burn anything, so they didn't.

Instead, the feminists dumped items like high-heeled shoes, bras, false eyelashes and issues of Ladies' Home Journal into a "Freedom Trash Can." They paraded a lamb outside Convention Hall and held up signs with such things as "Welcome to the Miss America Cattle Auction" written on them. Inside Convention Hall, demonstrators set off stink bombs during the pageant and unfurled a sign reading "WOMEN'S LIBERATION."

Newspapers helped fuel the fire. On Sept. 4, three days before the event, Lindsy Van Gelder of the New York Post wrote an article titled "Bra burners plan protest." In the Sept. 8 issue of the New York Times, protest organizer and former child actor Robin Morgan is quoted as saying the women would hold a "symbolic bra-burning." Open the next day's Atlantic City Sunday Press, and the headline jumps from page four: "Bra-Burners Blitz Boardwalk."

The stunt was later used in a viral marketing campaign for the restaurant's Frutista Freeze drink, and a video of the prank has been viewed 500,000 times online, says Taco Bell spokesman Will Bortz. "We thought it was brilliant," he says.

In 1980, Campbell went to the Royal Shakespeare Company's production of Nicholas Nickleby. A friend in the cast told him that Trevor Nunn, the producer of Nicholas Nickleby, had encouraged the cast at rehearsals to adopt the style of The Ken Campbell Road Show in their approach to parts of the play. Although Campbell sat in the front row, and enjoyed what he saw, the link with his own Road Show escaped him. After the performance, he went backstage where one of the cast had a bowl of fruit in his dressing room. Friends were invited to help themselves from this bowl, but there was a catch in the banana. If anyone touched it, it turned into a penis. Campbell says that it was this that in some way inspired him to create his hoax.

With the help of a couple of friends, Campbell had some headed writing paper printed, a perfect replica of the Royal Shakespeare Company notepaper, save for the replacement of 'Dickens' for 'Shakespeare', and 'RDC' for 'RSC'. He also discovered that Trevor Nunn signed his letters 'Love, Trev'. Campbell wrote dozens of individual letters to actors, writers, directors, producers, designers and composers, as well as to Sir Roy Shaw of the Arts Council. A typical letter read:

Dear X,
As you probably heard there has been a major policy change in our organization.
Nicholas Nickleby has been such a source of real joy to cast, staff and audience that we have decided to turn to Dickens as our main source of inspiration.
So that'll be it for the bard as soon as our present commitments decently permit.

There followed a suggestion for the next production: Sketches by Boz, Bleak House, or The Pickwick Papers. Each letter ended with an individually tailored invitation. For Lindsay Anderson, Campbell signed off with: 'Thinking of you brings The Old Curiosity Shop to mind. What a coup if you could bring Sir Ralph and Sir John together again in a script by David Storey. I feel your cool, intelligent approach is going to be badly needed in these new times.' Max Stafford Clark was offered Barnaby Rudge as a production: 'I find this a compelling piece which could be admirably served by your sparse, clear directorial style -- especially if the whole sweep of the book could be captured with the aid of no more than six chairs.' Norman St John Stevas, the Arts Minister, was told: 'The first production of the RDC is hoped to be Little Dorrit. Any thoughts you have on this will, as always, be treasured.' To accompany the letters and add punch to the campaign, the Aldwych Theatre was covered in RDC posters, in the style of the RSC, giving advance notice of the production of Little Dorrit.

The RSC production of Nicholas Nickleby was spread over two nights, and it was a few nights later that Campbell went to see the second half. He was told that the letter had not gone down well, and that Trevor Nunn had called in the Special Branch. There was no suspicion on Campbell, as Nunn believed it was an inside job. Newspaper reports of the hoax grandly exaggerated the affair, saying that 'thousands of sheets' of RDC notepaper had been printed, and that 'hundreds of letters' had been sent. Trevor Nunn was reported as saying: 'It is deeply embarrassing; a lot of people have written to me refusing, or, even more embarrassing, accepting the offers'.

Some months later, while Campbell was working at the Everyman Theatre, Liverpool, he was phoned by a researcher from the BBC TV programme Newsnight, who accused him of being the RDC hoaxer. Campbell denied it at first, and consulted with his accomplices, who offered him mixed advice. He decided to come clean, and was asked to appear on Newsnight. In the television studio, where he made his confession, he was horrified to see himself, on a monitor, lit like a terrorist, a sinister, dark figure in silhouette. But the affair blew over with no harm done and no recriminations.

A steady stream of devoted evolutionists continued to gather in this small Tennessee town today to witness what many believe is an image of Charles Darwin—author of The Origin Of Species and founder of the modern evolutionary movement—made manifest on a concrete wall in downtown Dayton...

Despite the enthusiasm the so-called "Darwin Smudge" has generated among the evolutionary faithful, disagreement remains as to its origin. Some believe the image is actually closer to the visage of Stephen Jay Gould, longtime columnist for Natural History magazine and originator of the theory of punctuated equilibrium, and is therefore proof of rapid cladogenesis. A smaller minority contend it is the face of Carl Sagan, and should be viewed as a warning to those nonbelievers who have not yet seen his hit PBS series Cosmos: A Personal Voyage.

Still others have attempted to discredit the miracle entirely, claiming that there are several alternate explanations for the appearance of the unexplained discoloration.

"It's a stain on a wall, and nothing more," said the Rev. Clement McCoy, a professor at Oral Roberts University and prominent opponent of evolutionary theory.