Mark Singer has written
an article for the New Yorker about the Joyce Hatto hoax, that was revealed earlier this year. I was busy finishing Elephants on Acid when it was making headlines, but
Flora posted about it.
Hatto was supposedly a virtuoso pianist, whose talent was discovered only very late in her life, when she was already in her seventies. She was notable for being able to masterfully play a wide variety of works, including compositions by Beethoven, Mozart, Chopin, Liszt, and Rachmaninoff. But it turned out that her husband had been taking recordings of other pianists and claiming they were recordings of Joyce. Singer tries to understand what motivated Hatto's husband to do this. It's a good article. Definitely worth a read.
Comments
Yeah, she was playing concerts earlier, but it doesn't seem like she was widely known.
I think what's funny here is all those music critics who pose as piano experts, who couldn't recognise a famous recording when labelled with someone else's name. Shows how much they know.