The literary world has been talking about a work of fiction that managed a brief masquerade as nonfiction. The book is
An Incomplete History of the Art of the Funerary Violin, by Rohan Kriwaczek. As the title suggests, it tells the history of that popular genre of music, funerary violin music.
The Guardian reports:
By the early 19th century, the book says, virtually every town had its own funerary violinist, but the tradition was almost wiped out in the Great Funerary Purges of the 1830s and 40s. The author, Rohan Kriwaczek, describes himself on a site on Myspace.com as being the president of the guild that represents a dwindling band of musicians dedicated to this largely forgotten art-form. But all references to the guild lead back to Kriwaczek, and several experts on the history of the violin say they have never heard of him or the tradition.
The book will be published next month by Duckworth Publishers in Britain, and Overlook Press in America. The publisher claims that it believed the book to be a work of genuine nonfiction. Or rather, it didn't care too much whether it was fiction or nonfiction because it thought the book was interesting. The hoax was "exposed" by a book-buyer in Iowa City who saw the book described in Overlook's catalog, thought it looked fishy, and brought it to the attention of David Schoenbaum, an expert in the history of the violin and also a reviewer for the New York Times. The Times then revealed the hoax.
Personally I'm thinking the publisher probably had a hand in the exposure of the hoax. What better publicity could a book get than to be "exposed" by the Times right before its debut?
Comments
Thanks,
Jim
The Overlook Press
Meaning, I suppose, he thought it would sell if promoted as non-fiction. When something is non-fiction, or even "based on true events" the standards are lowered. Amityville Horror is a case in point--if it were treated as fiction, which it was, there's no way it would've had the success it enjoyed.
A former student of mine was a funerary violinist, back when she lived in Mexico. She told me that any time a child dies there, it is traditional to have certain music played on a violin at the funeral. She apparently had quite a bit of work playing her violin at children's funerals.
I don't know if this tradition is prevalent all over Mexico, or just in certain parts (this student was from Monterrey, if I remember correctly), but funerary violins are no joke there, any more than funerary organ music would be in the U.S.
Yes, Christopher, that was my point exactly.
But the people I know who wear black, or white, when they are in mourning aren't afraid of ghosts; they are just expressing their bereavement, in the same way that a lady wearing a corsage to a dance is expressing being in a festive mood.
Thanks
Paul
The responses remind me of the comment that if God did not exist it would be necessary to invent Him.