When Japanese composer Mamoru Samuragochi went completely deaf at the age of 35, he continued to compose music, explaining that he was able to do so because of his "absolute pitch." He composed some of his most popular works while deaf. On account of this, he was often referred to as the "Japanese Beethoven." But in February 2014 it came to light that all the music attributed to Samuragochi since 1996 had actually been ghostwritten by Takashi Niigaki, a part-time lecturer at the Toho Gakuen School of Music in Tokyo. Nor was Samuragochi deaf. He was merely slightly hearing impaired. He had been faking deafness in order to enhance his mystique. [
New Yorker,
Wikipedia]
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