Hoax Museum Blog: Art

Cardiff Giant in Perth — Here are some pictures, courtesy of Nettie and Smerk, of the Cardiff Giant enjoying the sights in Perth. (Nettie sent me the pictures about three weeks ago, but Thanksgiving and the moon hoax distracted me. At least, that's the excuse for my slowness that I'm going with.)



So where should the Cardiff Giant go next? Any volunteers to host him? I'm hoping it might be possible to send him somewhere in the general neighborhood of Australia. Japan, maybe? I'll wait a week for responses, and in the meantime I'll also see if I can find any volunteers through non-MoH channels.
Posted: Fri Dec 16, 2011.   Comments (6)

Cardiff Giants Invade Pasadena — I use Google news alerts to find out whenever various keywords I'm interested in appear in news stories or on websites. One of these keywords is "Cardiff Giant". This particular keyword search doesn't usually generate many results. Perhaps one or two a week. But on friday night my patience was rewarded when I got a google news alert about the creation of a new site: cardiff1869.com.

The site is the creation of a Pasadena-based artist who chooses to remain anonymous, using the alias "Cardiff1869". Inspired by the Cardiff Giant of 1869 (which I posted about just a few days ago), he (or perhaps she) is creating a limited series of small-scale replicas of the Cardiff Giant. And he's leaving these miniature giants at various public locations around Pasadena. He explains:

These Cardiff1869 art installations are meant to be found at random by lucky passers-by (known as “Finders” on this web site) who then become a special part of the Cardiff1869 Free Art Project by discovering their own little “Cardiff Giant”.

The primary goal/intent of the Cardiff1869 Project is to allow people to experience the unique joy and wonder of discovering a free and anonymous gift of hand sculpted art, and to allow them the rare opportunity to ponder its mysterious origins and significance, just as the public did back in 1869 when the original Cardiff Giant was discovered.

In the past, I've actually searched quite extensively to find out if anyone had ever created small replicas of the Cardiff Giant, because while it would be impractical for me to keep a full-scale, ten-foot stone giant in my house, I very much wanted to have a smaller version of the giant to call my own. So to find out that little Cardiff Giants were being placed around Pasadena, which is only 2 hours away from where I live, seemed too good to be true.

I briefly wondered whether it was all a hoax. I also wondered whether it would be cheating to purposefully look for the statues. So I emailed Cardiff1869 who assured me that, "Purposefully looking for an installation is common in Street Art. No worries. There is a large sub-culture of Street Art fans who are always on the lookout for new works by their favorite artists - especially the 3D/Sculpture type 'Street Installations' they can actually take and keep."

So early the next morning I dragged my wife out of bed (she was quite willing to humor me and go along, which is one of the reasons I'm so lucky she married me), and we headed up to Pasadena to search for Cardiff Giants.

According to the Cardiff1869 site, six giants had been placed, and four of them had already been found. That left only 2. We quickly confirmed that one of these was also gone, and then spent a fruitless hour-and-a-half searching for the other one, which was supposed to be somewhere on Magnolia St.

I was feeling pretty downbeat, thinking I wasn't going to find a giant. But then my wife and I checked the Cardiff1869 site again and discovered that, just that morning, two more giants had been placed. We must have looked like contestants from the show Amazing Race as we sped toward the new locations. I jumped out of the car at an intersection and sprinted across the road to the WWI Veterans Memorial where one of them was placed. It was still there, placed on a piece of slate surrounded by a circle of stones!

giant


Within half an hour we had located the second one, which was placed on the Colorado St. Bridge. Here I am, moments after finding it. Note that I wore my Marvin's Marvelous Mechanical Museum t-shirt for the hunt, since Marvin's Museum has a Cardiff Giant replica on display. (Kind of nerdy, I know, but I was having fun.)

giant


So I'm now the proud guardian of two little Cardiff Giants. Here's a photo of one of them meeting some of the other residents of the Museum of Hoaxes.

giant


Cardiff1869 tells me that one of the giants — the one on Magnolia St. that I searched for but couldn't find — is still there waiting to be found! Plus, he'll soon be placing more giants. So if you live in the LA area and you're interested in a treasure hunt to find a Cardiff Giant, now's your chance. Keep watching his site to find out the new locations. I had great fun searching for the giants, and I want to thank Cardiff1869 for taking the time to put together such a great project!

So what am I going to do with my giants? One of them I'd like to send on a round-the-world tour — like a traveling gnome adventure. A while back Nettie tried to organize a MoH traveling gnome project, but I completely botched the project. She sent me the gnome, Bumpkin, which I then passed on to a friend of mine here in San Diego who was doing a driving tour of the midwest. Unfortunately my friend lost Bumpkin's legs somewhere in the midwest. So that ended Bumpkin's adventures. I've felt responsible for killing Bumpkin ever since.

So anyway, to partially make up for that previous disaster, I'm happy to send you the Cardiff Giant first, Nettie, if you're interested. And anyone else who wants to participate in the Cardiff Giant's world tour, let me know. We'll put together an itinerary for him.

As for the second cardiff giant — I plan eventually to relocate him somewhere. When I find him a new home, I'll post the details.
Posted: Sun Oct 09, 2011.   Comments (9)

Recreating the Cardiff Giant —
ms cardiff giant
Syracuse-based artist Ty Marshal has created a replica of the Cardiff Giant, according to its original size specifications (ten-feet tall). His replica is going to be buried in Syracuse's Lipe Art Park and then unearthed on October 16, the anniversary of the date on which the Giant was first "found" on William Newell's farm back in 1869.

After being unearthed, Marshal's giant will remain on display in the park, under a tent, for one week. Visitors will be allowed to view it for 25 cents. Then, using a horse and cart, the Giant will be transported to the Atrium in Syracuse's City Hall Commons where it will be displayed until the end of October. Visitors will also be able to buy Cardiff Giant-themed merchandise: soap, chocolate, wine, and coffee. (As a long-time collector of hoax-themed merchandise, I HAVE to get all of that stuff!)

You can find more details about Marshal's project on his website: syracusecardiffgiant.com.

There's actually a long history of recreating the Cardiff Giant. Back in the 1870s quite a few showmen paid artists to recreate the Giant, which they then displayed, as a way to cash in on the popular interest in the phenomenon. The most famous of these replicas was displayed by P.T. Barnum in New York City, and (much to the annoyance of the owners of the real giant) attracted more visitors than the actual giant, which was simultaneously on display a few blocks away.

In 1976, a service club in Cardiff, New York created a "Mrs. Cardiff Giant", which they buried and then unearthed. You can see it (note the breasts) in the slightly blurry picture below.

ms cardiff giant

Currently there are four Cardiff Giants on display (not counting Marshal's new one): at the Farmer's Museum in Cooperstown (this is the real giant), the Fort Museum in Fort Dodge, Marvin's Marvelous Mechanical Museum in Detroit, and the Circus Museum in Baraboo, Wisconsin.
Posted: Thu Sep 29, 2011.   Comments (2)

Incompetent art forgers try to sell “Warhol” portrait of non-existent Baldwin brother — From the Salt Lake Tribune:

According to charging documents, the couple agreed to sell another man six Andy Warhol art pieces for $100,000 in February 2008. The man was told that the subject of the art was Mathew Baldwin, purportedly one of the brothers in the family of actors. The pieces were signed and dated 1996.
After giving the couple a down payment of $25,000, the man took the art to an appraiser in California. The appraiser informed the man the art was fake because there was no Mathew in the famous Baldwin family. He also pointed out that the signatures were forged because Warhol died in 1987, charging documents state.

The fact that the buyer didn't bother to check if there really was such a person as "Mathew Baldwin" before forking over $25,000 to the couple makes him almost dumber than they are.
Posted: Wed Nov 18, 2009.   Comments (6)


Elmer de Hory Movie — Another film about a famous hoaxer is in the works. Julian Temple plans to make a movie about the art forger Elmyr de Hory. From reuters:

The British filmmaker will take on the story of art faker Elmyr de Hory, who created and sold forgeries of paintings by the likes of Picasso and Matisse to collectors around the world between the 1940s and 1960s.
De Hory, a Hungarian native, told his story to the equally notorious hoax biographer Clifford Irving (played by Richard Gere in "The Hoax" in 2007) for the book "Fake!" Additionally, Orson Welles made a documentary about him, "F For Fake."

Posted: Wed Nov 18, 2009.   Comments (3)

A fork in the road, literally — A few days ago a fork appeared in the middle of a Pasadena road. It's located, appropriately, at a fork in the road, where Pasadena and St. John avenues divide. From the Pasadena Star News:

It turns out the fork is an elaborate - and expensive - birthday prank in honor of the 75th birthday of Bob Stane, founder of the Ice House comedy club, who now owns the Coffee Gallery Backstage in Altadena...
The wooden fork, is "expertly carved and painted," to look like metal, Stane said. "It's anchored in 2 1/2-feet of concrete and steel. It's not a public danger - unless someone drives into it."

(Thanks, Bob!)
Posted: Fri Nov 06, 2009.   Comments (6)

Reverse Counterfeiting: The Case of the Gold Penny —
Most counterfeiting takes something that is nearly worthless and turns it into something perceived to have value. Mr. Daws did just the opposite. He took value — approximately $100 worth of gold — and turned it into something perceived as nearly worthless, one cent. “It’s there, but if people don’t realize it, it’s the same as not being there,” he said. Of the 11 copper-plated gold pennies he made as part of his series, only this one was sent into the wider world...

Late this summer, when Ms. Reed was paying for groceries at the C-Town supermarket in Greenpoint, she noticed the penny because the gold color had started to peek through.
Link: NY Times

I'm going to start checking any pennies I get more closely!
Posted: Wed Nov 04, 2009.   Comments (3)

Is the bust of Nefertiti a fake? — Swiss art historian Henri Stierlin argues that the famous bust of Queen Nefertiti on display in Berlin's Pergamon museum is a fake. He says that it was created around 1912 as a way for an archaeologist to color test ancient pigments found at the digs, but when a German prince mistook it for an ancient work of art, the archaeologist didn't have the courage to correct his important guest. And so the statue came to be regarded as an ancient work of art. [Agence France Presse]
Posted: Thu May 07, 2009.   Comments (4)

Mystery Stones Explained — The mystery of why someone has been leaving white stones with cryptic black markings on them around Orleans, Massachusetts has been solved. The creator of the stones sent an explanatory letter to the local paper:
The writer said the backward “R” and an “R” separated by three slashes on one line and an “X” book ended by two vertical lines underneath means “Remember 9-11.” He (most believe the writer is a male) said he came up with the design about two years ago “When I became disheartened from our straying from our Afghanistan objective of going after and getting Osama bin Laden in order to bring closure to 9-11,” he wrote.

If someone can figure out how you get "Remember 9-11" out of those symbols, let me know. [Wicked Local Orleans via Professor Hex]
Posted: Fri Apr 17, 2009.   Comments (11)

World’s Largest Lamb Sculpture — Some guy named Bill Veall claims to have discovered the world's largest rock sculpture. It's somewhere in the Peruvian Andean mountains, and it's in the shape of a "sacred lamb". He says he found it by using satellite imaging techniques to search for ancient shapes and formations. I guess that rules out any possibility he's just seeing what he wants to see. (sarcasm)



From Sky News: "Mr Veall, who studies the relationships between astronomy and archaeological monuments, has faced a series of doubters who claim he doctored the images to create an elaborate hoax."

Big red flag indicating the skeptics may be right: Veall won't release the coordinates of the site. He says, "If I gave you the co-ordinates of the site, a million people would find it immediately... But we want to secure and preserve the site until we can get a scientific team to have a look at it."
Posted: Mon Dec 08, 2008.   Comments (25)

Cranial Painting — In 1966, before becoming a regular on the Smothers Brothers Comedy Hour and before launching his perennial campaign for the US Presidency, comedian Pat Paulsen got into newspapers by pretending to be a "cranial painter". From the March 6, 1966 Mansfield News Journal:

USING HIS HEAD -- Artist Pat Paulsen, who shuns more traditional means of painting, demonstrates how he produces masterpieces -- with "cranial painting." The 35-year-old San Franciscan, now appearing at the Ice House in Glendale, Calif., smears paint on his beard. top: really gets down to heavy work, center, and winds up, bottom, with as much paint on his kisser as on the canvas.

Another, slightly better quality of Paulsen cranial painting, is below.



Posted: Fri Dec 05, 2008.   Comments (6)

Benjamin West and the Venetian Secret — The Yale Center for British Art is hosting an exhibition about an obscure 18th-century art hoax (one that I had never heard of before). The exhibition is titled "Benjamin West and the Venetian Secret" -- which makes it sound a bit like a new Harry Potter novel. From Art Knowledge News:

In 1796 Benjamin West, the American-born President of the Royal Academy of Arts in London, fell victim to a remarkable fraud. A shadowy figure, Thomas Provis, and his artist daughter, Ann Jemima Provis, persuaded West that they possessed a copy of an old manuscript purporting to contain descriptions of materials and techniques used by the Venetian painters of the High Renaissance, including Titian, to achieve the famously luminous effects of color that had long been thought lost, forgotten, or shrouded in secrecy. West experimented with these materials and techniques and used them to execute a history painting entitled Cicero Discovering the Tomb of Archimedes (1796–97). In truth the manuscript was fake and the story an absurd invention. West had believed it, and, through him, the Provises managed to dupe a number of other key artist-Academicians.

When the fraud was finally exposed, the embarrassment was far worse for West than it was for the other victims. It was largely through his influential position as President of the Royal Academy that the perpetrators gained access to so many of his variously hapless, dim-witted, or simply greedy colleagues. Years later, having been mercilessly held up to ridicule by satirists (in song; in the press; and in a remarkable satirical engraving titled Titianus Redivivus by James Gillray, 1797,Benjamin West - Cicero Discovering the Tomb of Archimedes, 1796–97, Oil on canvas - Collection of Mr. & Mrs. Michael D. Eisner. West painted an almost identical version of Cicero Discovering the Tomb of Archimedes (1804), this time according to his own methods and traditional studio practices. This “atonement” painting is today in the collection of the Yale University Art Gallery.

Posted: Thu Sep 18, 2008.   Comments (1)

Frenchman Collides Sacredly with Nessie — Frenchman Don Jean Habrey, whose stage name is Hors Humain (beyond human), has announced his intention to embark on a "sacred collision with Nessie." Specifically, he plans to dive into Loch Ness and "breathe with the monster to send ultimate breathing to the world of childhood.”

Later, he'll make a Christmas Eve visit to the Loch and "conjure the mythical creature from the loch, with chants, drumming, burning flares and bonfires round the shore."

“Nessie will breathe golden pearls for all the children from the earth, this endangered innocence that badly needs air.
“A boat equipped with a sound system will air the great organs of Notre Dame de Paris on the waves of the loch and the oratorios by Mozart, Handel and Johann Sebastian Bach will resound, together with the Hors Humain’s chants and kettledrums.”

I'm sad that I'm going to miss it.
Posted: Thu Sep 18, 2008.   Comments (2)

Pietro Psaier: Real or Hoax? — Pietro Psaier was an artist whose works fetch thousands of dollars. He was said to be a friend of Andy Warhol, which helps his saleability. But the question now perplexing the art world is whether Psaier ever actually existed.

This, from the Telegraph, is the little that's known about his life:

Information provided by an agent for the artist's estate states that Psaier was born in Italy in 1936 and died in the 2004 tsunami in Sri Lanka. He left Italy as a young man and went to America, where he met Warhol while working as a waiter in a café. His life then appears to have evolved into a nomadic, drug-fueled odyssey that took him between California, Mexico, Madrid, India and Sri Lanka, working in a variety of styles from conventional portraiture and illustration to pop art and assemblage.

Here's the problem: There's no birth or death certificates. There's no solid evidence at all (such as a body) that Psaier existed. There's just a few sworn statements.

Smells like a hoax to me. The question is: Who's behind it?
(Thanks, Bob!)
Posted: Wed Sep 17, 2008.   Comments (1)

Art Object Prank — Small, round, orange stickers are appearing on objects all over downtown Appleton, Wisconsin. The stickers are stamped with the phrase "art object" and a price (ranging from one cent to $10,000). They're appearing on park benches, fire hydrants, store windows, etc. No one seems to know who's responsible for the stickers or what their purpose is. From the Appleton Post-Crescent:

Police Lt. Steve Elliott said putting stickers on public or private objects without the owner's consent falls under the same local ordinances governing graffiti. "Definitely, it is against city ordinances. If we were to see someone doing it, we would cite them under the graffiti laws," Elliott said Friday...

"They are also supposed to clean up the stickers and residue or pay for the cleanup," Totzke said. Elliott said police have not received eyewitness reports of people placing the stickers.

Posted: Mon Aug 18, 2008.   Comments (2)

Waterboard Thrill Ride — Visitors to New York's Coney Island amusement park now have the opportunity to try the "Waterboard Thrill Ride." As the sign outside proclaims, "It don't Gitmo better!" According to Reuters:

A man with a black hood pours water on the face of a prisoner in an orange jumpsuit strapped to a table... The scene using robotic dolls is an installation built by artist Steve Powers to criticize waterboarding, a simulated drowning technique the United States has admitted using on terrorism suspects, but that rights group say is torture...
The public can peek through window bars and feed a dollar into the slot to bring the robotic dolls into action.

It reminds me of the Abu Ghraib Prison Fantasy Camp, which was the creation of our very own Cranky Media Guy.

More broadly, it fits into the theme of Reality Tourism, other examples of which that I've posted about in the past include the "Khmer Rouge Experience Cafe" in Cambodia that served customers the watery gruel that people ate in the Killing Fields.

There's also "Communism: The Theme Park": An amusement park planned for outside Berlin where people could experience life under communism. As well as a nazi command post in Poland that was turned into a theme resort.

And last but not least: Croatian Club Med, where tourists who wanted to experience life in a hard-labor camp were issued convict uniforms and given the opportunity to pound large stones with a sledgehammer and haul the pieces on their back to quarries around the prison.
Posted: Fri Aug 08, 2008.   Comments (4)

Spiderman Tattoo — Photos of a Spiderman tattoo, showing an illusion of skin tearing away to reveal a Spiderman costume beneath, have been circulating around, prompting people to wonder if the images are real or photoshopped.

They are real. The tattoo is the work of Milwaukee-based artist Dan Hazelton. Check out his site for other examples of his work.

He very briefly discusses the Spiderman tattoo on his myspace page in response to a question from someone who asks, "can i get a tear out like the Spiderman one??" Hazelton responds:

please, no more tear outs. that tattoo is all over the internet and people are filling up my inboxes with all kinds of requests for comic or super heroes tearin out of them now. tear outs are a dated tattoo that the average public over used a long time ago. sorry but i dont encourage that.

Posted: Wed Jul 16, 2008.   Comments (22)

Radioactive fallout helps authenticate art — This news is about a month old, but it's new to me! Russian curator Elena Basner thinks she might have developed a foolproof way of determining whether a work of art was made before or after 1945. She tests the paint for radioactive isotopes. From the Times Online:

The first nuclear bomb was successfully tested in July 1945 in New Mexico. On August 6, 1945, an atomic bomb was dropped on Hiroshima and three days later a second, more powerful bomb was dropped on Nagasaki. About 550 further explosions were carried out by the United States, Britain, the Soviet Union and France before most countries signed the Limited Test Ban Treaty in 1963. China tested its first Bomb the next year.
Dr Basner’s team argue that this activity released isotopes into the environment that do not occur naturally. Tiny traces of these isotopes, caesium-137 and strontium-90, permeated soil and plant life and ended up in all postwar paintings through the natural oils used as binding agents for paints.
Any work of art purporting to be more than 63 years old that registers trace amounts of the two isotopes can therefore be definitively declared a fake, Dr Basner said.

The article goes on to point out that it would be possible for a forger to circumvent this method of detection by using paints and canvasses from the relevant period. I can understand how a forger could obtain an old canvas, but where would they get old paint?

Posted: Tue Jul 01, 2008.   Comments (12)

Arboleda’s Assassination Exhibit — Last week 28-year-old artist Yazmany Arboleda rented an empty storefront across the street from the New York Times building near Times Square to house his art exhibit. He then posted the title of the exhibit in the window: "The Assassination of Hillary Clinton / The Assassination of Barack Obama."

It didn't take long for the secret service to show up and haul him in for questioning. Arboleda pleaded innocence, insisting he was referring to character assassination (by the media), not the murder-type of assassination, and the secret service released him a few hours later.

Arboleda insists that what he did was not a hoax, and I'd agree. Seems more like a publicity stunt to me. But he did engage in some media hoaxing a few months ago. From mediabistro.com:

Earlier this year, Arboleda crafted elaborate press releases, exhibition websites (complete with PhotoShopped installation shots), and even fake Chelsea art galleries where his Clinton and Obama shows were allegedly installed and hastily censored (Michael Musto fell for it, as did the news team at a Univision affiliate).

So, if I have this straight, Arboleda first invented a hoax exhibit. But last week he opened the exhibit for real. Some of the works on display included a gigantic representation of a black penis, and lettering on the wall that asks "Would you have sex with her? Neither would Bill." Obviously he's not one for subtlety. (Thanks, Bob)
Posted: Mon Jun 09, 2008.   Comments (1)

The World’s Largest Drawing — I'm very late with this one, but I thought it was worth including on the front page. I'll defer to David B. who posted about it a few days ago in the forum:

A Swedish artist, Erik Nordenankar, recently made more that a few waves by claiming to have drawn the biggest picture in the world, a portrait of himself constructed of a single line 110 thousand km long.
Nordenanker said his amazing drawing had been sketched out, not in ink or paint, but by the movements of a special briefcase fitted with a GPS tracker. This case, he claimed, had been given to DHL along with a precise itinerary detailing the exact coordinates the package was to be taken to. Once it had completed its world-spanning round-trip, Nordenanker simply downloaded the route from the device’s memory and set about publicising his achievement.

Nordenankar now has a notice at the top of his website acknowledging the drawing was a hoax: "This is made as my graduation project in Advertising and Graphic Design at Beckmans College of Design. I think it's possible to realise the project for real, but due to my extremely limited budget (about 20 000 SEK = 3 370 USD) that was not possible. Therefore, I have realised the idea in a fictional way."


Some other links: An article in The Telegraph, Wired's article about the hoax, and Nordenankar's youtube video.

The question I have is, What is the world's largest drawing? I've found two possible candidates, after searching the Google News Archive:

1) In 1991 thousands of volunteers drew on an 800-pound, 7-mile-long-when-extended roll of paper. According to a July 11, 1991 article in the St. Louis Post-Dispatch, the plan was to completely roll out the paper and take an aerial photo of it when it was done, but I can't find any articles indicating if it was ever completed.

2) According to a Feb 4, 1996 article in the LA Times: "In a project cooked up for the Los Angeles bicentennial, [the artist Tom Van Sant] and a crew set up mirrors in the shape of an eye across a 1 1/2-mile stretch of the Mojave Desert to overexpose sensors in a satellite passing overhead. The result was the world's largest drawing." But again, I can't find any pictures of Van Sant's drawing.
Posted: Thu May 29, 2008.   Comments (4)

Page 2 of 7 pages  < 1 2 3 4 >  Last ›